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In the News

Applications Accepted for Alfred Friendly Press Fellowships

Applications are now being accepted for Alfred Friendly Press Fellowships, which offer a cultural and professional exchange program for journalists. Applicants must be full-time journalists and citizens of a developing country. Deadline is Aug. 1.
Visit the AFPF Web site for details.

IWMF Board Member Honored by AWC-DC

Eleanor Clift, a contributing editor at Newsweek and a member of the IWMF board of directors, will be honored May 15 by the Washington, D.C., chapter of the Association for Women in Communications. Clift will receive the 2008 Matrix Award during a luncheon at the National Press Club. Helen Thomas, a veteran reporter who is a former IWMF Lifetime Achievement Award recipient, will introduce Clift. Maureen Bunyan, another IWMF board member who is an anchor for the ABC affiliate television station in Washington, D.C., will emcee the luncheon.
Visit the AWC Web site to read more.

Reuters Foundation Offers News Writing Course

The Reuters Foundation is accepting applications for a course on international news writing for journalists from the developing world. The course, which will take place in London, will run from Aug. 11-22. Applicants must be fluent in English and must have worked for media organizations for at least two years. Deadline is June 27.
Read more on the Reuters Foundation Web site.

More news...

Tips & Guides: Writing Compelling Leads

To find a lead that will work, first consider the focus or the theme of your story. Use these questions to think about your theme:

  • What one thing does the reader need to know more than any other?
  • What would make the reader say to someone else, "Listen to this!"
  • Is there an anecdote that captures the essence of the story?
  • Does any one image reveal the meaning of the story?
  • Where is the conflict or the tension?
  • How will this news impact the reader?
  • Why should anyone read this story?
  • What point of view should the story be told from?
  • Is there a metaphor to capture the story?
  • What is the appropriate voice?
  • Can I put a face on the story?
  • Is there a quote that tells the story best?
  • Which elements in the story connect? How?
  • Why did this story happen?
  • What important questions must be answered?
  • How can I summarize the information?
  • What concrete specifics reveal the significance of the story?
  • What is the history behind the story?
  • What are the key problems to be solved in writing this story?

Here are some additional tips to help you think about ways to shape or frame the lead and highlight the story's relevance, usefulness or interest among readers.

  • Reader interest. What did you find most interesting about this subject? What do you think the reader will find most interesting?
  • Memorable information. What was the most memorable piece of information or fact that you discovered?
  • Focus on a person. Is there someone who illustrates the problem or the issue? If you tell a story about this person or show this person in action, will it lead to the main focus of the story? Will it help the reader understand?
  • Descriptive approach. Can you describe a scene that relates to the focus or the theme of the story?
  • Build on a quote. Is there a great quote to back up the lead? If so, write the lead so it refers to the quote without repeating it.
  • Contrast. Would a "then-and-now" or "good versus evil" approach work? This type of lead can be used to set up stories about conflicts or unusual circumstances.
  • Question. Can you set up a question so the readers want to discover the solution? This type of lead can be effective if the reader is interested in finding the answer to the question you pose.
  • Narrative storytelling. If you were just telling a good story, how would it start? Can you reconstruct events to put the reader on the scene?

Compiled by Dr. Sherry Ricchiardi, associate professor, Indiana University School of Journalism (Indianapolis). Adapted with permission.